Ghost of Yotei's bold attitude to repetition is risky than it seems

By definition, open world games should offer almost unlimited creative freedom to players, which allows almost all kinds of action that will think about. But as much as developers try to meet these expectations, there are still obstacles that prevent the truly varied experience of the open world's premises. Sucker punch, the creator of the very revered Ghost of Tsushimais no different. Despite the remarkable success of the feudal time of Japanese game, one of the consistent complaints that Ghost of TsushimaReviews that are attached to were its repetitive nature. As Ghost of Yotei Prepares to be released once this year, the developer is reportedly planning to reduce monotonous documents, but it should trample carefully when going down this road.

The aged maximum for creative, “If it's not broken, don't fix it”, comes to mind when considering Sucker Punch's attitude to getting a dynamic taste to Ghost of Yotei. Although it is easy to point out Ghost of TsushimaCertainly (admittedly getting) weaknesses in retrospect, the developer must retain much of his winning formula that enters the sequel. That said, the lack of depth in the first game's side assignment, battle and exploration may not be so well received about Ghost of YoteiSo there are some corrections that Sucker Punch can implement to expand its Japanese world from the 17th century even more.

Ghost of Yotei Revenge Story larger than ATSU

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Ghost of Yotei's revenge history must be greater than ATSU

Ghost of Yotei can begin as a personal story of revenge, but Atsus' journey can be transformed into a deeper struggle shaped by Japan's varying power struggle.

Ghost of Yotei must balance repetition with innovation

Sucker Punch must deal with Ghost of Tsushima's dazzling weaknesses

Although battle is one of Ghost of TsushimaMany strengths because of its liquid nature and memorable segments, enemy archetypes repetitiveness can make the experience quickly. For Ghost of Yotei To improve the combat mechanics, Sucker Punch would have to add a few more opponents -types than the usual spears/shield/archery enemies seen in Tsushima while reducing the number of random runs as you cross the map. These, while a good measuring stick of combat competence, became old quickly as they tried to get from one point to another.

The page's mission is another dazzling area for Sucker Punch to revolutionize in Ghost of Yotei. TsushimaThe site's mission was one of the most polarizing aspects of the game. While they were necessary to explore the map in the great thing, their content involved mostly to save farmers from bandits or mongols, followed by unscatable cuts and dialogue. Of course, this shallowly dismissed player who chased by unique plot strings independently of the main history and formed the essence of the repetitive argument against Ghost of Tsushima.

Most games try to mitigate this repetitive character with a change in the landscape in their side assignments, with titles such as Assassin's Creed Odyssey Taking players anywhere from the mountains to the army's camp to even the sea for a pleasant change of pace. Ghost of Tsushima Also struggled with this kind, with much of its architecture that lacks environmental units an open world RPG should mean.

Repetitive elements may not need too big of a review in Ghost of Yotei

On the one hand, it can be argued that repetition is part of the RPG character development process. It is a fulfilling passage for players to gradually become stronger by getting tools on traditional means; Whether it means going to side assignments with the same goal to save the day or swim through hordes of weak enemies for XP up swing that grows them. The goal is that the character will eventually become strong enough to fight against the managers and resist previously unbearable punishment from their hits.

With this in mind, a repetitive element will surely appear in each RPG, and Sucker Punch should not overcompensate to correct the problem of content diversity. Ghost of Yotei Shaking up things is not objectively a bad thing, but for the sake of character development and the players' immersion in Japan from the 17th century a lot of dynamics must insist on themselves. For Ghost of Tsushimait was the almost strenuous Mongolian and bandit presence, and for YoteiIt can be something else – and that's good too. In the end, while Side Quest and environmental variation would be welcome adjustments, a certain repetition level can serve as a good benchmark for letting players improve or show how far they have come.