While a shon manga series should always have an exciting history, compelling characters and exciting fighting scenes to stand out from the competition, one thing that most fans will notice until anything else is the work of art. While some manga writers will adhere to a certain style or aesthetics for their entire series, there are some who have drastically changed their works of art during the course of history, and there are some reasons why this may be the case.
On the one hand, adapt another style can help reflect the atmosphere in the series. Since most Shonen stories gradually become darker and more mature as they continue, the artwork can help to convey the escalating seriousness of the situation. On the other hand, it is no secret that many writers are often given very strict deadlines to complete their work every week, which can also affect the design of characters and environments. That being said, it is time to take a deeper look at some popular Shonen -Manga series that have undergone drastic changes in their art styles since they first began.
Whiten
From cartoon images to elegant, stylish and moody patterns
Tite Kubo, the author of the extremely popular and very influential WhitenHave always had the ability to draw characters that seem much more mature and realistic than would often be seen in most Shonen manga. However, in the early arches of WhitenEspecially up to the Hueco Mundo-Bågen, there was still a very cartoon visual aesthetic that could be downloaded from Ichigo and his comrades, with Kubo who often used a lot of snappy and comic facial expressions and poses to give this series a little more of a lightweight feeling before it got too dark.
However, as the efforts began to rise higher and higher, however, Cubo's artwork began to change. When looking at the characters themselves, it began to be clear that Kubo went for a much sharper and more refined style that helped replicate the more moody and Stoic Vibe that had become synonymous with the middle until late Whiten. This can be seen most clearly in the full arch, which feels like more of a Seinen-Manga than a shon, given how ultra-realistic many characters look like, and Kubo would continue to follow this template style until the end of a thousand years of blood war.
Jojo's bizarre adventure
Araki faded the muscles to lean into his own unique aesthetics
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Manga Artist: Hirohiko Araki
Given that anime has only been for a little more than a decade, it may be easy to forget that Araki has actually drawn Jojo's bizarre adventure For more than 30 years at this point, and there are no signs that he is slowing down soon. Considering Jojo's first released in the late 80s, at a time when Fist in North Star Dominated the market and Japanese pop culture, it makes sense why many of Araki's characters looked like brutal bodybuilders, all of which were much larger and more hard than the average man.
Araki would continue with this style until he eventually reached Part 4, where the main characters began to seem much narrower and more flamboyant than Jonathan, Joseph and Jotaro who came before. An excellent example of this is Giorno from Part 5, along with the other members of Team Bucciarati, all of whom look a little more realistic thanks to the incredible amount of details that Araki puts in their body proportions. It is also important to point out how incredibly Araki's artwork has become over time, as some of the chapters in Phantom Blood may look like rough series, reading a chapter in Steall Run feels like looking into the art book in a Renaissance-ERA artist.
Sludge can
Takehiko Inoue became a master when portrayed rapid and fluent movements with his artwork
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Manga Artist: Takehiko Inoue
Sludge can is a series that has become known for its lovely role of characters and inspirational messages, but although the artwork has also been very admired, it took a little while for the author Takehiko Inoue to finally get there. This is not to suggest that the art in Sludge can Has been bad, just that, as is the case with most manga writers, it began with a more basic style that made it possible for some of the characters to feel a little more exaggerated and how they moved and acted on the court.
As the series continues, however, it becomes obvious that Inoue has placed much more focus on the realism of his characters. This resulted in some sincerely jerking illustrations that almost looked like real images, considering how much work went to emphasize the characters' muscles and body proportions to ensure that they all felt like real athletes. Today, Sludge can is one of the brilliant examples of a series that only got better over time, and which is particularly related to its art style.
Attack on titanium
Isayama really rose its artwork when Aot began to take off
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Manga Artist: Hajime Isayama
Although long has been discussed on whether whether Attack on titanium Can be regarded as a shon, given how violent and dark it is, it was still published first in a shon magazine, which would technically make it applicable. While the very successful anime adaptation of Attack on titanium May have started a strong start, one thing that prevented manganese from reaching mainstream success was its artwork. Isayama himself has gone on records to say that his artwork, outside the fantastic two -sided spreads, which still looks incredible, in the end was quite amateurly for a series that was so ambitious.
Once Attack on titanium However, it really started to get some steam, Isayama's artwork improved with leaps and boundaries, not only in his characters, who now look much more detailed and refined, but also his environments. A clear example of this is how Isayama could make the country Marley quite late in history. Instead of just being a bunch of rough buildings and trees, this felt like a realistic area that really lived in, thanks to the amount of effort he made to show up to the smallest details. When the series reached its end, Isayama knocked out lots of scary detailed panels that did an excellent job of conveying how high the efforts had risen.
Jujutsu Kaisen
Some theorizes JJK's sudden change of art reflects the character's own views on the world
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Manga Artist: Gege Acutami
The Jujutsu Kaisen Manga contains one of the most drastic changes in art -style that has ever seen in Shonen, and although there have been countless debates about Gege's artwork got better or worse, it is clear as the day to see how much it has actually changed. In the arches of the early history, manganese contained a rather rough yet eye -catching aesthetics that helped each of the magicians and curses feel different and unique in their design, but there was still a stiffness that could make some of the action scenes feel a little slow and confused.
All this changed completely after the Shibuya incident, when many of the characters began to take on very different performances, including Itadori itself, which was now much broader in their functions and also looked much older than before. While the freezer frames of characters may not have looked as captivating as before, this more minimalist art style favored the action, as it made it possible for the characters to feel much more fluid and natural when moving around. Although it seems likely that this sudden change was due to the fact that Gege was trying to keep up with the harsh deadlines, some fans have seen it as a representation of Itadori's own mental state and how he began to see the world in a much darker light after the Shibuya incident.
My hero Academy
By the end of MHA's driving, Horikoshi had become one of the best artists in the shon
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Manga Artist: Kohei Horikoshi
My hero Academy is a rare example of a Shonen series that already started with incredible works of art, but somehow managed to reach even greater heights the longer it went. In the beginning, Horikoshi's characters were well known to be very wide -eyed and young in their appearance, giving the series a little more child -like aesthetics than many other series at that time. However, it would not be so forever, since once deco and the students in 1A began to leave their exams and meet against real villains, the artwork became noticeably darker and even more detailed than before, especially when it comes to Deku.
Deku may have started as a coward and naive wannabe hero, but after a few hundred chapters his appearance completely changed and had much more serious facial expression along with a more robust suit that reflected his way of thinking at that time. Horikoshi also began to go out with its double -sided spreads, especially when it comes to the villains, which also receive a significant upgrade to their designs, mainly after the review arc, which is where the art style really starts to go through a noticeable change.
